Exhale by output example Patch#

The sliders are great for realвЂ“time dynamic performance work, but deeper programming is done using the tool in the interfaceвЂ™s Engine view.ДЄt its top is a section called Sources, which is where the two samples that combine to make up a patch are chosen from. Upon loading a preset, its sound can be altered by four large sliders, which take up most of the interfaceвЂ™s Main page and control up to six sound parameters apiece, as specified by the user via a Macro assignment mode.

To make it faster to locate appropriate presets, Exhale includes 12 category filter buttons (namely Dirty, Light, One Shot, Percussive, Electro, Creative, Pure, Heavy, Atmos, Looped, Complex and User), which can be used in any combination. At the foot of the interface is a list of creatively named factory presets (200 in Notes, 117 in Loops and 100 in Slices), plus any alterations that have been saved by the user. There may be a flaw in the logic of that statement, but the important point is that Exhale is designed to service the needs of modern music producers who want to use highly processed vocals in their productions.Д®xhaleвЂ™s content is divided into Notes, Loops and Slices, but all three categories are accessed through a single Kontakt interface. The companyвЂ™s latest engine, Exhale, also promises to break new ground and is said by Output to be the first truly modern vocal engine. Their first, Rev, was a sample engine for manipulating reversed sounds, and that was followed by Signal, which was marketed as the worldвЂ™s most powerful pulse engine. All of OutputвЂ™s products so far have been an attempt to break new ground in the world of sample processing.

Exhale by output example